Where to watch it: Sadly, Netflix benched "FNL" on Oct.
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And if I hear, "Clear eyes, full hearts, can't lose," I will get choked up.
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There is one story line in the second season that, like many fans, I would prefer to bury, but this remains one of the best TV depictions I've seen of marriage, and of high school. Bissinger's nonfiction book, and starring Kyle Chandler and Connie Britton as coach Eric Taylor and his wife, Tami, a high school guidance counselor.
But I loved nearly every moment of this fictional series, inspired by former Inquirer reporter H.G. "Friday Night Lights." You wouldn't believe how little I care about football, much less Texas high school football. Where to watch it: All three seasons are on HBO Go.Ĥ. And fear not the finale, which ran in June: It sticks the landing. But if you've lived long enough to have experienced and to have survived great loss, you might just love it. If the ending of "Lost" spoiled all six seasons for you, this show probably isn't for you. What felt at first like a commentary on post-9/11 America eventually became something much deeper. "The Leftovers." Justin Theroux, Carrie Coon, and Amy Brenneman star in this surreal, beautifully realized HBO drama from Tom Perrotta and Damon Lindelof ("Lost") that begins with the events of Perrotta's novel about those left behind when 2 percent of Earth's population vanishes in an instant. Where to watch it: First three seasons are on Netflix. And I'll definitely be going back to that third season at some point. It's been splendid (and I remember being just as excited by those first browsers as the characters are), but I recommend starting from the beginning. And yet I managed to miss the entire third year before logging in again for this fourth and final season, running for just a few more Saturday nights. I could almost hear my old 300-baud modem straining to connect as I watched the first, 1980s-set season, which introduced us to hustler Joe MacMillan (Lee Pace), married techies Gordon and Donna Clark (Scoot McNairy and Kelly Bishe), and visionary coder Cameron Howe (Mackenzie Davis). "Halt and Catch Fire." If you watch only one drama about the heady early days of personal computing and the World Wide Web, make it this one from AMC. Where to watch it: All five seasons are on HBO Go and Amazon Prime Video.Ģ.
Harry Dean Stanton, who died a few weeks ago, gives a creepily memorable performance as Roman Grant, the patriarch of a polygamous cult. Either way, the performances, by sister wives Jeanne Tripplehorn, Chloe Sevigny, and Ginnifer Goodwin, and by the late Bill Paxton, who plays their husband, are marvelous. Olsen and Will Scheffer's story of suburban polygamists as rooted in aspects of the American character that, for better or worse, seem likely to endure. Most have ended, or have had the opportunity to tell their stories completely enough so you won't be left hanging:ġ."Big Love." Once, I might have said that this series, which ran on HBO from 2006 to 2011, was an examination of love and marriage that might be very much of its time. This is a list of shows for a rainy weekend, or a midweek sick day, or that time, a few months or years from now, when, by some miracle, there's nothing on. There are shows, though, that you can wait to see but that it would be a shame to miss forever. If you save "Scandal" or "This Is Us" for a few years from now, you'll miss the conversations happening now. Some shows demand to be watched in the moment, or at least in the era when they're on. (Although it can, I've discovered, occasionally mean paying a la carte for streaming access or DVDs as Netflix and other streaming services change their lineups.) Because as scripted shows continue to multiply, I'm losing hope of ever catching up.Īnd yet there's never been a better time to love great television, because missing a show when it's still in production no longer means missing it forever.
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